Waiting for the Barbarians Page 6

  In this moody state I pay a visit one evening to the rooms on the second floor of the inn. As I climb the rickety outside stairway a man I do not recognize hurries down past me, ducking his head. I knock at the second door along the corridor and enter. The room is just as I remember it: the bed neatly made, the shelf above it packed with trinkets and toys, two candles burning, a glow of warmth coming from the great flue that runs along the wall, an odour of orange-blossom in the air. The girl herself is occupied in front of the mirror. She gives a start at my entry, but rises smiling to welcome me and bolts the door. Nothing seems more natural than to seat her on the bed and begin to undress her. With little shrugs she helps me bare her trim body. “How I have missed you!” she sighs. “What a pleasure to be back!” I whisper. And what a pleasure to be lied to so flatteringly! I embrace her, bury myself in her, lose myself in her soft bird-like flurries. The body of the other one, closed, ponderous, sleeping in my bed in a faraway room, seems beyond comprehension. Occupied in these suave pleasures, I cannot imagine what ever drew me to that alien body. The girl in my arms flutters, pants, cries as she comes to a climax. Smiling with joy, sliding into a languorous half-sleep, it occurs to me that I cannot even recall the other one’s face. “She is incomplete!” I say to myself. Though the thought begins to float away at once, I cling to it. I have a vision of her closed eyes and closed face filming over with skin. Blank, like a fist beneath a black wig, the face grows out of the throat and out of the blank body beneath it, without aperture, without entry. I shudder with revulsion in the arms of my little bird-woman, hug her to me.

  When later in the middle of the night I ease myself out of her arms, she whimpers but does not awaken. I dress in the dark, close the door behind me, grope my way down the stairs, hurry back home with snow crunching underfoot and an icy wind boring into my back.

  I light a candle and bend over the form to which, it seems, I am in a measure enslaved. Lightly I trace the lines of her face with my fingertip: the clear jaw, the high cheekbones, the wide mouth. Lightly I touch her eyelids. I am sure she is awake, though she gives no sign.

  I shut my eyes, breathe deeply to still my agitation, and concentrate wholly on seeing her through my blind fingertips. Is she pretty? The girl I have just left, the girl she may perhaps (I suddenly realize) smell on me, is very pretty, there is no question about that: the acuteness of my pleasure in her is sharpened by the elegance of her tiny body, its manners, its movements. But of this one there is nothing I can say with certainty. There is no link I can define between her womanhood and my desire. I cannot even say for sure that I desire her. All this erotic behaviour of mine is indirect: I prowl about her, touching her face, caressing her body, without entering her or finding the urge to do so. I have just come from the bed of a woman for whom, in the year I have known her, I have not for a moment had to interrogate my desire: to desire her has meant to enfold her and enter her, to pierce her surface and stir the quiet of her interior into an ecstatic storm; then to retreat, to subside, to wait for desire to reconstitute itself. But with this woman it is as if there is no interior, only a surface across which I hunt back and forth seeking entry. Is this how her torturers felt hunting their secret, whatever they thought it was? For the first time I feel a dry pity for them: how natural a mistake to believe that you can burn or tear or hack your way into the secret body of the other! The girl lies in my bed, but there is no good reason why it should be a bed. I behave in some ways like a lover—I undress her, I bathe her, I stroke her, I sleep beside her—but I might equally well tie her to a chair and beat her, it would be no less intimate.

  It is not that something is in the course of happening to me that happens to some men of a certain age, a downward progress from libertinage to vengeful actions of impotent yearning. If a change in my moral being were occurring I would feel it; nor would I have undertaken this evening’s reassuring experiment. I am the same man I always was; but time has broken, something has fallen in upon me from the sky, at random, from nowhere: this body in my bed, for which I am responsible, or so it seems, otherwise why do I keep it? For the time being, perhaps forever, I am simply bewildered. It seems all one whether I lie down beside her and fall asleep or fold her in a sheet and bury her in the snow. Nevertheless, bending over her, touching my fingertips to her forehead, I am careful not to spill the wax.

  * *

  Whether she guesses where I have been I cannot decide; but the next night, when I am lulled almost to sleep by the rhythm of the oiling and rubbing, I feel my hand stopped, held, guided down between her legs. For a while it rests against her sex; then I shake more of the warm oil on to my fingers and begin to caress her. Quickly the tension gathers in her body; she arches and shudders and pushes my hand away. I continue to rub her body till I too relax and am overtaken with sleep.

  I experience no excitement during this the most collaborative act we have yet undertaken. It brings me no closer to her and seems to affect her as little. I search her face the next morning: it is blank. She dresses and stumbles down to her day in the kitchen.

  I am disquieted. “What do I have to do to move you?”: these are the words I hear in my head in the subterranean murmur that has begun to take the place of conversation. “Does no one move you?”; and with a shift of horror I behold the answer that has been waiting all the time offer itself to me in the image of a face masked by two black glassy insect eyes from which there comes no reciprocal gaze but only my doubled image cast back at me.

  I shake my head in a fury of disbelief. No! No! No! I cry to myself. It is I who am seducing myself, out of vanity, into these meanings and correspondences. What depravity is it that is creeping upon me? I search for secrets and answers, no matter how bizarre, like an old woman reading tea-leaves. There is nothing to link me with torturers, people who sit waiting like beetles in dark cellars. How can I believe that a bed is anything but a bed, a woman’s body anything but a site of joy? I must assert my distance from Colonel Joll! I will not suffer for his crimes!

  * *

  I begin to visit the girl at the inn regularly. There are moments during the day, in my office behind the courtroom, when my attention wanders and I drift into erotic reverie, grow hot and swollen with excitement, linger over her body like a moony lustful youth; then reluctantly I have to recall myself to the tedium of paperwork or walk over to the window and stare into the street. I remember how in the first years of my appointment here I used to roam the obscurer quarters of the town toward dusk, shadowing my face in my cloak; how sometimes a restless wife, leaning over the half-door with the hearthfire gleaming behind her, would answer my gaze without flinching; how I would fall into conversation with young girls promenading in twos and threes, buy them sherbet, then perhaps lead one away into the darkness to the old granary and a bed of sacks. If there was anything to be envied in a posting to the frontier, my friends told me, it was the easy morals of the oases, the long scented summer evenings, the complaisant sloe-eyed women. For years I wore the well-fed look of a prize boar. Later that promiscuity modulated into more discreet relations with housekeepers and girls lodged sometimes upstairs in my rooms but more often downstairs with the kitchen help, and into liaisons with girls at the inn. I found that I needed women less frequently; I spent more time on my work, my hobbies, my antiquarianism, my cartography.

  Not only that; there were unsettling occasions when in the middle of the sexual act I felt myself losing my way like a storyteller losing the thread of his story. I thought with a shiver of those figures of fun, fat old men whose overburdened hearts stop beating, who pass away in the arms of their loves with an apology on their lips and have to be carried out and dumped in a dark alley to save the reputation of the house. The climax to the act itself became remote, puny, an oddity. Sometimes I drifted to a halt, sometimes went mechanically through to the end. For weeks and months I would retire into celibacy. The old delight in the warmth and shapeliness of women’s bodies did not desert me, b
ut there was a new puzzlement. Did I really want to enter and claim possession of these beautiful creatures? Desire seemed to bring with it a pathos of distance and separation which it was futile to deny. Nor could I always see why one part of my body, with its unreasonable cravings and false promises, should be heeded over any other as a channel of desire. Sometimes my sex seemed to me another being entirely, a stupid animal living parasitically upon me, swelling and dwindling according to autonomous appetites, anchored to my flesh with claws I could not detach. Why do I have to carry you about from woman to woman, I asked: simply because you were born without legs? Would it make any difference to you if you were rooted in a cat or a dog instead of in me?

  Yet at other times, and particularly in the last year, with the girl whose nickname at the inn is The Star but whom I have always thought of as a bird, I felt again the power of the old sensual enchantment, swam out into her body and was transported to the old limits of pleasure. So I thought: “It is nothing but a matter of age, of cycles of desire and apathy in a body that is slowly cooling and dying. When I was young the mere smell of a woman would arouse me; now it is evidently only the sweetest, the youngest, the newest who have that power. One of these days it will be little boys.” With some distaste I looked forward to my last years in this bountiful oasis.

  Three nights in succession, now, I visit her in her little room, bringing presents of cananga oil, sweets, and a jar of the smoked fish-roe I know she loves to wolf down in private. When I embrace her she closes her eyes; tremors of what seem to be delight run through her. The friend who first recommended her to me spoke of her talents: “It is all playacting of course,” he said, “but in her case the difference is that she believes in the role she plays.” For myself, I find I do not care. Captivated by her performance, I open my eyes in the midst of all the fluttering and shivering and moaning, then sink back into the dark river of my own pleasure.

  I spend three days of sensual languor, heavy-lidded, sleekly aroused, daydreaming. I return to my rooms after midnight and slip into bed, paying no attention to the obdurate form beside me. If I am woken in the morning by the sound of her preparations, I feign sleep till she is gone.

  Once, happening to pass the open kitchen door, I glance in. Through wraiths of steam I see a stocky girl seated at a table preparing food. “I know who that is,” I think to myself with surprise; nevertheless, the image that persists in my memory as I cross the yard is of the pile of green marrows on the table in front of her. Deliberately I try to shift my mind’s gaze from the marrows back to the hands that slice them, and from the hands to the face. I detect in myself a reluctance, a resistance. My regard remains dazedly fixed on the marrows, on the gleam of light on their wet skins. As if with a will of its own, it does not move. So I begin to face the truth of what I am trying to do: to obliterate the girl. I realize that if I took a pencil to sketch her face I would not know where to start. Is she truly so featureless? With an effort I concentrate my mind on her. I see a figure in a cap and heavy shapeless coat standing unsteadily, bent forward, straddle-legged, supporting itself on sticks. How ugly, I say to myself. My mouth forms the ugly word. I am surprised by it but I do not resist: she is ugly, ugly.

  I come back on the fourth night in a bad temper, thrashing about my rooms noisily, not caring who is woken. The evening has been a failure, the current of renewed desire is broken. I throw my boots on the floor and climb into bed spoiling for a quarrel, longing for someone to blame, ashamed too of my childishness. What this woman beside me is doing in my life I cannot comprehend. The thought of the strange ecstasies I have approached through the medium of her incomplete body fills me with a dry revulsion, as if I had spent nights copulating with a dummy of straw and leather. What could I ever have seen in her? I try to recall her as she was before the doctors of pain began their ministrations. It is impossible that my gaze did not pass over her as she sat with the other barbarian prisoners in the yard the day they were brought in. Somewhere in the honeycomb of my brain, I am convinced, the memory is lodged; but I am unable to bring it back. I can remember the woman with the baby, even the baby itself. I can remember every detail: the frayed edge of the woollen shawl, the patina of sweat under the wisps of fine baby-hair. I can remember the bony hands of the man who died; I believe I can even, with an effort, recompose his face. But beside him, where the girl should be, there is a space, a blankness.

  I wake up in the night with the girl shaking me and the echo of a thin moan still hanging in the air. “You were shouting in your sleep,” she says. “You woke me up.”

  “What was I shouting?”

  She mumbles something, turns her back on me.

  Later in the night she wakes me again: “You were shouting.”

  Thick-headed and confused, angry too, I try to look into myself but see only a vortex and at the heart of the vortex oblivion.

  “Is it a dream?” she says.

  “I cannot remember any dream.”

  Can it be that the dream of the hooded child building the snowcastle has been coming back? If it has, surely the taste or the smell or the afterglow of the dream would linger with me.

  “There is something I must ask you,” I say. “Do you remember when you were brought here, into the barracks yard, for the first time? The guards made you all sit down. Where did you sit? Which way did you face?”

  Through the window I can see streaks of cloud racing across the face of the moon. Out of the darkness beside me she speaks: “They made us sit together in the shade. I was next to my father.”

  I summon up the image of her father. In silence I try to re-create the heat, the dust, the smell of all those tired bodies. In the shade of the barracks wall I seat the prisoners one by one, all that I can remember. I put together the woman with the baby, her woollen shawl, her bare breast. The baby wails, I hear the wail, it is too tired to drink. The mother, bedraggled, thirsty, looks at me, wondering if I can be appealed to. Next come two hazy forms. Hazy but present: I know that with an effort half of memory, half of imagination, I can fill them out. Then comes the girl’s father, his bony hands folded before him. His cap is tipped over his eyes, he does not look up. Now I turn to the space beside him.

  “On which side of your father were you sitting?”

  “I sat to his right.”

  The space to the right of the man remains blank. Concentrating painfully I see even the individual pebbles on the earth beside him and the texture of the wall behind.

  “Tell me what you were doing.”

  “Nothing. We were all very tired. We had walked since before dawn. We stopped to rest only once. We were tired and thirsty.”

  “Did you see me?”

  “Yes, we all saw you.”

  I clasp my arms around my knees and concentrate. The space beside the man remains empty, but a faint sense of the presence of the girl, an aura, begins to emerge. Now! I urge myself: now I will open my eyes and she will be there! I open my eyes. In the dim light I make out her shape beside me. With a rush of feeling I stretch out to touch her hair, her face. There is no answering life. It is like caressing an urn or a ball, something which is all surface.

  “I have been trying to remember you as you were before all this happened,” I say. “I find it difficult. It is a pity you can’t tell me.” I do not expect a denial, and it does not come.

  * *

  A detachment of new conscripts has arrived to take the places of men who have completed their three-year spell on the frontier and are ready to leave for their homes. The detachment is led by a young officer who is to join the staff here.

  I invite him, with two of his colleagues, to dine with me at the inn. The evening goes well: the food is good, the drink plentiful, my guest has stories to tell about his journey, undertaken in a hard season in a region wholly foreign to him. He lost three men on the way, he says: one left his tent in the night to answer a call of nature and never returned; two
more deserted almost within sight of the oasis, slipping away to hide in the reeds. Troublemakers, he calls them, whom he was not sorry to be rid of. Still, do I not think their desertion was foolish? Very foolish, I reply; has he any idea why they deserted? No, he says: they were fairly treated, everyone was fairly treated; but then of course conscripts . . . He shrugs. They would have done better to desert earlier, I suggest. The country around here is inhospitable. They are dead men if they have not found shelter by now.

  We speak of the barbarians. He is convinced, he says, that for part of the way he was trailed at a distance by barbarians. Are you sure they were barbarians? I ask. Who else could they have been? he replies. His colleagues concur.

  I like this young man’s energy, his interest in the new sights of the frontier region. His achievement in bringing his men through in this dead season is commendable. When our companions plead the lateness of the hour and depart, I press him to stay. Past midnight we sit talking and drinking. I hear the latest news from the capital, which I have not seen for so long. I tell him of some of the places I look back on with nostalgia: the pavilion gardens where musicians perform for the strolling crowds and one’s feet rustle through fallen autumn chestnut leaves; a bridge I remember from which one sees the reflection of the moon on the water that ripples around the pediments in the shape of a flower of paradise.

  “The rumour going about brigade headquarters,” he says, “is that there will be a general offensive against the barbarians in the spring to push them back from the frontier into the mountains.”

  I am sorry to break off the train of reminiscing. I do not want to end the evening with a wrangle. Nevertheless I respond. “I am sure it is only a rumour: they cannot seriously intend to do that. The people we call barbarians are nomads, they migrate between the lowlands and the uplands every year, that is their way of life. They will never permit themselves to be bottled up in the mountains.”